This artwork is part of Second Appetite, a series of four textile works in which clothing, often called a second skin, becomes a surface being eaten away, as fast fashion's hunger for novelty devours the planet's water, soil and labour.

This artwork is part of Second Appetite, a series of four textile works in which clothing, often called a second skin, becomes a surface being eaten away, as fast fashion's hunger for novelty devours the planet's water, soil and labour.

This artwork is part of Second Appetite, a series of four textile works in which clothing, often called a second skin, becomes a surface being eaten away, as fast fashion's hunger for novelty devours the planet's water, soil and labour.

This artwork is part of Second Appetite, a series of four textile works in which clothing, often called a second skin, becomes a surface being eaten away, as fast fashion's hunger for novelty devours the planet's water, soil and labour.

This artwork is part of Outside the Extraordinary, a series that meditates on stillness in a world of speed and endless scrolling, pausing to rediscover the quiet power of ordinary spaces.

This artwork is part of Outside the Extraordinary, a series that meditates on stillness in a world of speed and endless scrolling, pausing to rediscover the quiet power of ordinary spaces.

This artwork is part of Outside the Extraordinary, a series that meditates on stillness in a world of speed and endless scrolling, pausing to rediscover the quiet power of ordinary spaces.

A stand-alone textile work responding to the Israel–Palestine conflict and the stark imbalance of power at its heart.

This artwork is part of Mundane Musings, a pair of textile portraits of the common man: his quiet struggles, his invisibility, and his seeming irrelevance in the larger scheme of things.

This artwork is part of Mundane Musings, a pair of textile portraits of the common man: his quiet struggles, his invisibility, and his seeming irrelevance in the larger scheme of things.

A stand-alone textile work on gender equality, an ideal we have collectively failed to reach, brought gently back into focus.

A stand-alone textile work on immigration and the restless movement of people in search of a place to belong.

A stand-alone installation inspired by Neel Bidroha, the Indigo Revolt of 1859–60, when Bengal's farmers rose against colonial planters and were brutally crushed.

This artwork is part of Who Am I?, a series of portraits that peel away our near-perfect online avatars to reveal the fragmented self within a world that is always “connected”.

This artwork is part of Who Am I?, a series of portraits that peel away our near-perfect online avatars to reveal the fragmented self within a world that is always “connected”.